Obviously, certain angles and objects are harder to draw than others. Up to this point, I can honestly say that I have based very few creative decisions off of this fact. Mostly because I really had no idea what would or would not be difficult. Most of this has been written out already and I forge on ahead without paying much attention to what's coming next pictographically, but as I draw more pages I'm beginning to learn. Long fences stretching off into the distance? Bad. Big shapeless robes and heavy gloves? Good. How easy would it be for my characters to just not happen to hold any long conversations from opposite sides of fences in the future? Luckily, I've never felt I had much control over my characters' choices (and yes, I know that sounds like mystic, nebulous, fuzzy-wuzzy nonsense). In other words, I've got my fingers crossed that the nuns' fashion sense will take Ableton by storm.

Also, my paper's too thick now.